Your place for regular updates on PRS for Music news.
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8 Feb 2019
Composers announced for Wild Plum Songbook
PRS for Music partners with Wild Plum Arts and Cheltenham Music Festival to offer women composers a career development and commissioning opportunity
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1 Feb 2019
The Stranglers present pub where first ever gig took place with PRS for Music Heritage Award
The Star Inn honoured with plaque
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22 Jan 2019
Glastonbury Festival announces 2019 Emerging Talent Competition
Competition supported by PRS for Music and PRS Foundation
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16 Jan 2019
Europe for Creators launches new tools to counter Google’s unprecedented lobbying
Article 13 will facilitate the sharing of content in a fairer way
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18 Dec 2018
Michelle Escoffery joins PRS Board as Writer Director
Nigel Elderton, PRS Chairman: “She is not only an award-winning songwriter, but also a guiding influence for the next generation of music creators, which makes this appointment all the more fitting."
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13 Dec 2018
Behind the scenes of the first ever grime and rap songwriting camp
Some of the biggest grime and rap talent including Flohio, Ms Banks, Novelist and Big Zuu came together this week, for a first-of-its-kind songwriting camp
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2 Nov 2018
PRS for Music secures new blanket licence with BBC
Andy Harrower, Director of Licensing, PRS for Music: “This is an important deal for PRS for Music and for our members."
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30 Oct 2018
Sony/ATV and SOLAR extend pan-European digital licence administration agreement
Sony/ATV Music Publishing, PRS for Music, GEMA and SOLAR extend agreement for management of pan-European licences for Sony/ATV and EMI Music Publishing’s Anglo-American repertoire
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23 Oct 2018
PRS for Music Explores: Music Modernization Act
Grammy Award-winning songwriter and ASCAP President, Paul Williams, says: “This is about families. This is what we do for loving and living. It's a labour of love, but it's a labour.”
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11 Oct 2018
Dance music industry back PRS for Music and PPL as MRT is extended to nightclubs
Many more dance music creators will receive royalties from performances of their music played by DJs in nightclubs, as PRS for Music and PPL expand their distribution policies to include data generated from music recognition technology, in turn improving the accuracy of royalty distributions.
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