Robert Ashcroft statement on the EU Copyright Directive final text
PRS for Music Chief Executive welcomes news of a final text
After five years of hard work, the news that we have a final text is a welcome relief for all involved. This Directive has generated an unprecedented level of debate and a wave of misinformation from the open internet lobby, so I commend all of those who have battled through it to arrive at a text to put to the European Parliament.
Our mission has only ever been to achieve a fair and functioning digital market and, as a result, fair reward for creators. Subject to final scrutiny of the text and the forthcoming vote in Parliament it looks today as though we are going to achieve our aim.
About PRS for Music
PRS for Music represents the rights of songwriters, composers and music publishers in the UK and around the world. As a membership organisation it works to ensure that creators are paid whenever their musical compositions and songs are streamed, downloaded, broadcast, performed and played in public. With over 100 representation agreements in place globally, PRS for Music's network represents over two million music creators worldwide. In 2018, 11.2 trillion performances of music were reported to PRS for Music with £746m collected on behalf of its members, making it one of the world’s leading music collective management organisations.
PRS for Music’s public performance licensing is now carried out on PRS for Music’s behalf by PPL PRS Ltd, the new joint venture between PPL and PRS for Music.