Grime artists Stormzy and J Hus were among the biggest winners at the 2017 Rated Awards last night (Tuesday), taking two awards apiece.
Chart-topping Stormzy rounded off a stellar 12 months with the Artist of the Year and Best Video accolades, while East Londoner J Hus took the Best Album and Best Track gongs, the latter sponsored by PRS for Music.
Lethal Bizzle took the lauded Legacy Award, in recognition of his pioneering career, which began in 2002 and has seen him receive multiple awards from across the industry over the last 15 years.
Other winners included Steel Banglez who was awarded Producer of the Year and Not3s, who took the Breakthrough Award.
Elsewhere, Charlie Sloth took the Best DJ Award and Mo Stack took home the Best Mixtape gong for High Street Kid.
The Awards, now in their third year, continue to be supported by a number of partners who share GRM Daily’s passion for promoting the British urban music scene, including PRS for Music, Urban Development, KA Drinks and YouTube.
Read our interview with GRM Daily editor-in-chief Alex Griffin on the state of grime at the back end of 2017 and what’s in store for 2018.
Chart-topping Stormzy rounded off a stellar 12 months with the Artist of the Year and Best Video accolades, while East Londoner J Hus took the Best Album and Best Track gongs, the latter sponsored by PRS for Music.
Lethal Bizzle took the lauded Legacy Award, in recognition of his pioneering career, which began in 2002 and has seen him receive multiple awards from across the industry over the last 15 years.
Other winners included Steel Banglez who was awarded Producer of the Year and Not3s, who took the Breakthrough Award.
Elsewhere, Charlie Sloth took the Best DJ Award and Mo Stack took home the Best Mixtape gong for High Street Kid.
The Awards, now in their third year, continue to be supported by a number of partners who share GRM Daily’s passion for promoting the British urban music scene, including PRS for Music, Urban Development, KA Drinks and YouTube.
Read our interview with GRM Daily editor-in-chief Alex Griffin on the state of grime at the back end of 2017 and what’s in store for 2018.
