PRS for Music has hosted a roundtable with Dr Therese Comodini Cachia MEP, to discuss the future of Europe’s music industry.
Renowned composer, Paul Abela, Scream Daisy’s founder, Brendan Jackson and frontman of indie band nosnow/noalps, Nick Morales, amongst other Maltese musicians and songwriters, met with Dr Comodini Cachia to explain how digital technologies are changing the way in which music is consumed and its impact on songwriters.
The roundtable took place on 10 March and coincided with Dr Comodini Cachia’s report on the future of copyright law in Europe. This is expected to have a profound impact on the future of the creative industries in Malta and around Europe.
During the meeting songwriters and composers set out their concerns that services, such as YouTube, are generating billions of euros in revenue from providing access to music and other content but are sharing little of that income with the creators.
They called on Dr Comodini Cachia to support legal measures to ensure digital platforms are required to share more fairly the income generated in order to safeguard the future of Europe’s creative industries.
Therese Comodini Cachia said: 'Artists and performers are at the heart of the creation of works which so many of us enjoy. Yet they, together with other right holders, face several copyright-related challenges within a continuously changing market dependent on fluid user consumption patterns.
'I am certain that right holders do not want to bring down the channels which bring their works closer to consumers, but do want to have their rights recognised and to be able to retain the value of those rights. There are instances these challenges have been addressed by market-led solutions. Further legal certainty which does not itself cause serious market disruption is however needed.'
John Mottram, PRS for Music’s head of Policy and Public Affairs, added: 'The European Parliament, and Dr Comodini in particular, have a unique opportunity to create an online market which works for everyone, in which users can continue to enjoy easy access to great music, TV and films but where creators, who are the foundation of Europe’s creative sector, can share in the vast revenues being generated.
'We are grateful for Dr Comodini’s commitment to understand the issues facing songwriters and composers and the need for a strong and fair copyright regime so our members can continue to create the music we love.'
Visit PRS for Music's website to find out more about its work in Malta.
Renowned composer, Paul Abela, Scream Daisy’s founder, Brendan Jackson and frontman of indie band nosnow/noalps, Nick Morales, amongst other Maltese musicians and songwriters, met with Dr Comodini Cachia to explain how digital technologies are changing the way in which music is consumed and its impact on songwriters.
The roundtable took place on 10 March and coincided with Dr Comodini Cachia’s report on the future of copyright law in Europe. This is expected to have a profound impact on the future of the creative industries in Malta and around Europe.
During the meeting songwriters and composers set out their concerns that services, such as YouTube, are generating billions of euros in revenue from providing access to music and other content but are sharing little of that income with the creators.
They called on Dr Comodini Cachia to support legal measures to ensure digital platforms are required to share more fairly the income generated in order to safeguard the future of Europe’s creative industries.
Therese Comodini Cachia said: 'Artists and performers are at the heart of the creation of works which so many of us enjoy. Yet they, together with other right holders, face several copyright-related challenges within a continuously changing market dependent on fluid user consumption patterns.
'I am certain that right holders do not want to bring down the channels which bring their works closer to consumers, but do want to have their rights recognised and to be able to retain the value of those rights. There are instances these challenges have been addressed by market-led solutions. Further legal certainty which does not itself cause serious market disruption is however needed.'
John Mottram, PRS for Music’s head of Policy and Public Affairs, added: 'The European Parliament, and Dr Comodini in particular, have a unique opportunity to create an online market which works for everyone, in which users can continue to enjoy easy access to great music, TV and films but where creators, who are the foundation of Europe’s creative sector, can share in the vast revenues being generated.
'We are grateful for Dr Comodini’s commitment to understand the issues facing songwriters and composers and the need for a strong and fair copyright regime so our members can continue to create the music we love.'
Visit PRS for Music's website to find out more about its work in Malta.
