Electro-folk seven-piece Night House conjure warmth from icy synths and electronic drum machines on their latest release.
‘I constantly want to push myself, challenge myself. I constantly want to outgrow where I was yesterday.’ Says PRS for Music Gold Award winner Jacob Collier.
‘That’s the secret to it all? Just do it. Keep doing it beyond the point at which it feels reasonable to do it.’ Says composer Sam Eastwood.
‘Someone once described our music as James Brown on acid.’ Says A Certain Ratio’s guitarist Martin Moscrop.
PRS for Music’s chief executive Robert Ashcroft looks behind the organisation's headline results to explain what the 2018 figures really mean for songwriters, composers and publishers.
Four years on from their formation and South London quartet Blueprint Blue are set to soundtrack the summer with their sunshine jams.
'When I’m writing a song, the movement, performance, video and artwork are conceptualised and buzzing around my brain at the same time.' Says alt-pop artist Æ MAK.
‘At the end of the day, it’s still about the emotion of the story or the impact of the music.’ Says 2019 Ivor Novello Award nominee Daniel Pemberton.
'Seeing Giant Swan was one of the first times we’d seen dance music performed with the energy of a live band, and it was revolutionary.' Says Scalping's Alex Hill.
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